Amy hails from South Devon and lives in London. She trained at The Guildhall School of Music and Drama, in vocal and opera studies. Whilst at GSMD, she was awarded the prestigious English Song Prize and won The Susan Longfield Competition. Amy is a Samling Scholar and holds a Bachelor Honours degree in French and German from King's College, London.

Operatic experience includes: Ruth (cover) & Chorus The Pirates of Penzance (Scottish Opera); Ragonde Count Ory (Opera South); Annabel Clarke Through The Looking Screen (Underbelly, Edinburgh Fringe Festival); Florence Pike (cover) Albert Herring (English Touring Opera); Ruth The Pirates of Penzance (Charles Court Opera); Second Lady The Magic Flute (Garsington Opera Emerging Artists); Mastrilla (cover) & Chorus La Périchole, Second Lady (cover) & Chorus The Magic Flute, Chorus Don Giovanni (Garsington Opera); Chorus Aida (Raymond Gubbay Productions); Mrs. Noye Noye's Fludde (Faversham Fludde Festival); Chorus Dr Dee (EMI recording); Suzuki Madam Butterfly (Mid Wales Opera); Schwertleite Die Walküre (St. Endellion Summer Festival); Dr Blind/Ida Die Fledermaus (Iris Theatre/Orchestra of St Pauls); Mère Marie de l'Incarnation Dialogues des Carmélites, Dianora Spinalba, Florence Pike Albert Herring, Anne Who Strips (cover)& Chorus The King goes forth to France, Arina (cover) The Marriage (GSMD); Dorabella Così fan Tutte, Solo Chorus Acis & Galatea (Westminster Opera); Olga Eugene Onegin (Dartington); Un Pâtre/La Chatte/La Libellule L'enfant et les Sortilèges (Syred Consort); Sarah/Eliza Jacko's Hour (Opera Engine); Coryphée Alceste (Chelsea Opera Group). Projects include: Edith The Pirates of Penzance for The G & S Opera Company, Florence Pike Albert Herring for Mid Wales Opera & Opera Theatre Company and Mrs Partlet The Sorcerer for Charles Court Opera.

Solo oratorio repertoire includes: Stabat Mater (Dvorak), Messiah (Handel), Requiem (Mozart), Vespers (Rachmaninoff), Gloria (Vivaldi), Requiem (Verdi), Petite Messe Solennelle (Rossini), Missa Solemnis (Beethoven), Magnificat (CPE Bach) and Requiem (Duruflé). Most recently she has been invited to be a soloist at St Edmundsbury Cathedral; St George's Cathedral, Southwark and the Irish College in Rome.

On the concert platform, Amy recently created the role of She in Luca Tieppo's 'song opera', Suggestions of Love, at The Forge, Camden and at Lauderdale House and was delighted to give the inaugural evening recital for Song in the City at St Botolph without Bishopsgate, accompanied by Louisa Lam. She made her Barbican Hall debut with The Guildhall New Music Ensemble in Voices (Henze) and has collaborated with Iain Burnside in song projects and recitals both at GSMD and at St. Endellion Summer Festival.

With a background as a choral scholar, Amy still sings regularly with the Philharmonia Voices, the professional choir attached to the Philharmonia orchestra, directed by Aidan Oliver. With The Philharmonia she has sung at Sadler's Wells, Royal Albert Hall and Royal Festival Hall and been conducted by Richard Hickox, Kent Nagano, Lorin Maazel and Esa-Pekka Salonen amongst others. Other ensemble credits include: Hanover Band Chorus, Coro Cervantes and Colla Voce Singers. She also sings with and manages her own vocal ensemble, Canteremo.

As well as developing a career on the classical concert platform and on the operatic stage, Amy is a founder member of The Bombshellettes, the UK's only 15-piece all-female swing orchestra.

She is also an experienced musical theatre performer, having twice represented The Guildhall School in the finals of Stephen Sondheim Young Performer of the Year competition. In 2009, she was the performer of the winning song in the Best New Musical Theatre Song category. Musical theatre roles include: Fosca Passion (Primavera Productions) and Mrs. Lovett Sweeney Todd (Millrace Productions). She has also performed in pantomime (creating the role of Wiglaf in Beowulf and of Porthos in The Three Musketeers) for Charles Court Opera and in cabaret for Trilby Productions and for Ergo Theatre.