Headshot Amy hails from South Devon and lives in Leeds. She trained at The Guildhall School of Music and Drama, in vocal and opera studies. Whilst at GSMD, she was awarded the prestigious English Song Prize and won The Susan Longfield Competition. Amy is a Samling Scholar and holds a Bachelor Honours degree in French and German from King's College, London.

Amy joined the ensemble of Opera North in August 2016. She made her company debut last Autumn singing La Suora Infermiera in a new production of Suor Angelica. She sang the role of Tisbe in a new production of La Cenerentola in Winter 2017 to critical acclaim. Upcoming engagements at Opera North include Counsel to the Plaintiff (cover) Trial by Jury, Councillor's Wife & Mila's Mother (cover) Destiny, Mama/La Tasse Chinoise/L'écureuil (cover) L'enfant et les sortilèges, Suzuki (cover) Madama Butterfly.

Other professional operatic experience includes: La Maestra delle Novizie (cover) Suor Angelica, La Frugola (cover) Il tabarro, Noble Orphan Der Rosenkavalier (Opera North); Zulma L'Italiana in Algeri (Pop Up Opera); La Frugola Il tabarro (Fulham Opera); Berta The Barber of Seville (Merry Opera); Women Conduct Women Box (Size Zero Opera/Grimeborn Festival); Berta Il Barbiere di Siviglia (Musique Cordiale Festival);The Chairman The Sweeper of Dreams (Opera Schmopera/Tete a Tete Festival); Mrs Noye Noye's Fludde (Kneehigh/Orchestival); Katisha The Mikado, Inez The Gondoliers, Edith The Pirates of Penzance, The Duchess of Plaza-Toro (cover) The Gondoliers, Lady Jane (cover) Patience, Mrs. Cripps (Little Buttercup) (cover) HMS Pinafore (The National G & S Opera Company); Ruth (cover) The Pirates of Penzance (Scottish Opera/D'Oyly Carte Opera Company); Ragonde Count Ory (Opera South); Annabel Clarke Through The Looking Screen (Underbelly, Edinburgh Fringe Festival & STET Festival, Koninklijke Schouwberg, The Hague); Valentina Koslov Laika the Spacedog, Second Lady The Magic Flute, Moppet Paul Bunyan, Andromache (cover) King Priam, Florence Pike (cover) Albert Herring (English Touring Opera); Third Lady/Boy The Magic Flute (Charles Court Opera/Iford Arts); The Usher Trial by Jury, Dame Hannah Ruddigore, Lady Jane Patience, Mrs Partlet The Sorcerer, Ruth The Pirates of Penzance (Charles Court Opera); Second Lady The Magic Flute (Garsington Opera Emerging Artists); Mastrilla (cover) La Périchole, Second Lady (cover) The Magic Flute (Garsington Opera); Mrs Noye Noye's Fludde (Faversham Fludde Festival); Florence Pike Albert Herring, Suzuki Madam Butterfly (Mid Wales Opera); Dr Blind/Ida Die Fledermaus (Iris Theatre/Orchestra of St Pauls); Un Pâtre/La Chatte/La Libellule L'enfant et les Sortilèges (Syred Consort); Sarah/Eliza Jacko's Hour (Opera Engine); Coryphée Alceste (Chelsea Opera Group).

Amy is delighted to be returning to Charles Court Opera this summer to reprise the role of Katisha in a new production of The Mikado at the International Gilbert & Sullivan Festival in Harrogate.

Solo oratorio repertoire includes: Magnificat (JS Bach), Stabat Mater (Dvorak), Messiah (Handel), Requiem (Mozart), Vespers (Rachmaninoff), Gloria (Vivaldi), Requiem (Verdi), Petite Messe Solennelle (Rossini), Missa Solemnis (Beethoven), Magnificat (CPE Bach) and Requiem (Duruflé). Most recently she has been invited to be a soloist at St Edmundsbury Cathedral; St George's Cathedral, Southwark and the Irish College in Rome. She was a company member in Merry Opera's critically-acclaimed staged Messiah in Spring 2015. On the concert platform, Amy created the role of She in Luca Tieppo's 'song opera', Suggestions of Love, at The Forge, Camden and at Lauderdale House and was delighted to give the inaugural evening recital for Song in the City at St Botolph without Bishopsgate, accompanied by Louisa Lam. She made her Barbican Hall debut with The Guildhall New Music Ensemble in Voices (Henze) and made her debut at the National Concert Hall in Dublin in a concert showcasing the music of Gilbert & Sullivan with Charles Court Opera. She has collaborated with Iain Burnside in song projects and recitals both at GSMD and at St. Endellion Summer Festival. Most recently she has appeared with the Marsyas Trio, performing Elena Firsova's Night Songs and made her debut at Champs Hill with Classical Connections, in a programme of Gilbert & Sullivan excerpts, as well as performing in opera galas for Charles Court Opera and Mid Wales Opera.

With a background as a choral scholar (KCL 2003-2006), Amy still sings regularly with the Philharmonia Voices, the professional choir attached to the Philharmonia orchestra, directed by Aidan Oliver. With The Philharmonia she has sung at Sadler's Wells, Royal Albert Hall and Royal Festival Hall and been conducted by Richard Hickox, Kent Nagano, Lorin Maazel and Esa-Pekka Salonen amongst others. Other ensemble credits include: Hanover Band Chorus, Coro Cervantes and Colla Voce Singers.

As well as developing a career on the classical concert platform and on the operatic stage, Amy was a founder member of The Bombshellettes, the UK's only 15-piece all-female swing orchestra.

She is also an experienced musical theatre performer, having twice represented The Guildhall School in the finals of Stephen Sondheim Young Performer of the Year competition. In 2009, she was the performer of the winning song in the Best New Musical Theatre Song category. Musical theatre roles include: Fosca Passion (Primavera Productions) and Mrs. Lovett Sweeney Todd (Millrace Productions). She is a regular for Charles Court Opera in pantomime (creating the roles of Wiglaf in Beowulf, Porthos in The Three Musketeers, PC Pumpkin in Buttons and Sheriff Ranger in Billy the Kid) at The Rosemary Branch Theatre. Amy was delighted to appear in Mirror Mirror as Larry Black at The King's Head Theatre; her 5th boutique pantomime for Charles Court Opera. She has also performed in cabaret for Trilby Productions and for Ergo Theatre.